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ethnomusicology
The
Britannica (EB) says this: "scientific
study of music in any world culture or subculture in terms of its actual
sounds and performance practices, in its relation to the specific culture,
and in comparison with other cultures. The field was originally called
comparative musicology in the 1880s by scholars concerned with the
measurement of pitches, anthropological data, museum archiving, or the
study of exotic music.
Jaap Kunst, a Dutch expert in Indonesian music, created the term
ethnomusicology in the 1950s, and in 1956 an ethnomusicology society was
founded, consisting of musicians and anthropologists interested in world
music. In the spirit of the preceding definition, the field has continued
to expand so that such topics as Japanese art music, New Guinean tribal
music, African court music, English folk songs, jazz, and the social and
financial structure of European-American popular music can be found in its
studies."
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Study of Ethnomusicology by Bruno Nettl |
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African American Music : A Philosophical
Look at African American Music in Society by
Nathan T. Davis, Ursula Broschke-Davis
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'The Voice of Egypt : Umm Kulthum, Arabic
Song, and Egyptian Society in the Twentieth Century
(Chicago Studies in Ethnomusicology) by Virginia
Danielson
From the reviews: Umm Kulthum, the "voice of Egypt,"
was the most celebrated musical performer of the century
in the Arab world. More than twenty years after her
death, her devoted audience, drawn from all strata of
Arab society, still numbers in the millions. Thanks to
her skillful and pioneering use of mass media, her songs
still permeate the international airwaves. In the first
English-language biography of Umm Kulthum, Virginia
Danielson chronicles the life of a major musical figure
and the confluence of artistry, society, and creativity
that characterized her remarkable career.
Danielson examines the careful construction of Umm
Kulthum's phenomenal popularity and success in a society
that discouraged women from public performance. From
childhood, her mentors honed her exceptional abilities
to accord with Arab and Muslim practice, and as her
stature grew, she remained attentive to her audience and
the public reception of her work. Ultimately, she
created from local precendents and traditions her own
unique idiom and developed original song styles from
both populist and neo-classical inspirations. These were
enthusiastically received, heralded as crowning examples
of a new, yet authentically Arab-Egyptian, culture.
Danielson shows how Umm Kulthum's music and public
personality helped form popular culture and contributed
to the broader artistic, societal, and political forces
that surrounded her.
This richly descriptive account joins biography with
social theory to explore the impact of the individual
virtuoso on both music and society at large while
telling the compelling story of one of the most famous
musicians of all time.
"She is born again every morning in the heart of 120
million beings. In the East a day without Umm Kulthum
would have no color."--Omar Sharif
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More interesting music titles;
Mannerism
in art, literature, and music : a bibliography
May
It Fill Your Soul : Experiencing Bulgarian Music (Chicago
Studies in Ethnomusicology)
Bartok
Perspectives : Man, Composer, and Ethnomusicologist
The
creative process in the autograph musical documents of Hector
Berlioz, c. 1818-1840
A
bibliography of the musical and literary works of Hector
Berlioz, 1803-1869, with histories of the French music
publishers
Half
a century of music in England, 1837-1887 : essays towards a
history
The
creative process in the autograph musical documents of Hector
Berlioz, c. 1818-1840
Studies
in modern music
The
music of Berlioz
The
chamber music of Brahms
Brahms
chamber music
Brahms
orchestral music
The
chamber music of Brahms
The
essence of Bruckner : an essay towards the understanding of
his music
Debussy
piano music
The
music of Joseph Haydn, the symphonies
Heirs
and rebels : letters written to each other and occasional
writings on music
A
thematic catalogue of Gustav Holst's music
Franz
Liszt: the man and his music
Mahler
: the man and his music
Mendelssohn
chamber music
Rachmaninov
orchestral music
Ravel
orchestral music
Schoenberg
chamber music
Franz
Schubert's music for the theatre
Schubert
chamber music
Schumann
: music and madness
Schumann
orchestral music
Schumann
piano music
Robert
Schumann: the man and his music
The
music of Stockhausen : an introduction
Die
Frau ohne Schatten by Hugo von Hofmannsthal and Richard
Strauss : an analysis of text, music, and their relationship
Richard
Strauss, Der Rosenkavalier : comedy for music in three acts
Richard
Strauss, Der Rosenkavalier : comedy for music in three acts
The
sacred vocal music of Antonio Vivaldi
Study
of Ethnomusicology
Shadows
in the Field : New Perspectives for Fieldwork in
Ethnomusicology
Comparative
Musicology and Anthropology of Music : Essays on the History
of Ethnomusicology (Chicago Studies in Ethnomusicolo
Ethnomusicology
: Historical and Regional Studies (Norton/Grove Handbooks in
Music)
Engendering
Song : Singing and Subjectivity at Prespa Albanian Weddings
(Chicago Studies in Ethnomusicology)
Music,
Culture, and Experience : Selected Papers of John Blacking
(Chicago Studies in Ethnomusicology)
Ethnomusicology
and Modern Music History
Fiddling
for Norway : Revival and Identity (Chicago Studies in
Ethnomusicology)
Ethnomusicology
: History, Definitions, and Scope : A Core Collection of
Scholarly Articles -- This anthology of 25 scholarly
articles offers a broad historical overview of the history,
definition, and scope of ethnomusicology. The essays range
from early summaries of the field's subject matter and state
of research to later, comprehensive discussions spanning the
discipline at large, its intellectual history, and future
prospects. Ethnomusicology surveys the field, its methods,
philosophy, and goals, and is well-suited for use as an
introductory text.
SPECIAL FEATURES The study of
non-Western, or world music, which is the subject of this
anthology, is currently one of the hottest areas in music
education *
Covers key historical, methodological, and
theoretical topics from the early part of the century to the
mid-1980s, providing a scholarly overview to research topics.
*
Collects in a single volume articles that come from a
wide variety of sources.
Suitable for Courses
in
Ethnomusicology/Multiculturalism in Music, Introduction
to Music, Music History, World Music, Cultural and Social
Anthropology, Folk Music, and Folklore and Myth
Imaging
Sound : An Ethnomusicological Study of Music, Art, and Culture
in Mughal India (Chicago Studies in Ethnomusicology)
Music
of Hindu Trinidad : Songs from the India Diaspora (Chicago
Studies in Ethnomusicology)
African
Stars : Studies in Black South African Performance (Chicago
Studies in Ethnomusicology Series)
Imaging
Sound : An Ethnomusicological Study of Music, Art, and Culture
in Mughal India (Chicago Studies in Ethnomusicology)
Subcultural
Sounds : Micromusics of the West (Music/Culture)
The
Voice of Egypt : Umm Kulthum, Arabic Song, and Egyptian
Society in the Twentieth Century (Chicago Studies in
Ethnomusicol
Engendering
Song : Singing and Subjectivity at Prespa Albanian Weddings
(Chicago Studies in Ethnomusicology)
Music
of Hindu Trinidad : Songs from the India Diaspora (Chicago
Studies in Ethnomusicology)
Zouk
: World Music in the West Indies (Chicago Studies in
Ethnomusicology)
Fiddling
for Norway : Revival and Identity (Chicago Studies in
Ethnomusicology)
African
Stars : Studies in Black South African Performance (Chicago
Studies in Ethnomusicology)
Gamelan
: Cultural Interaction and Musical Development in Central Java
(Chicago Studies in Ethnomusicology)
Re-Envisioning
Past Musical Cultures : Ethnomusicology in the Study of
Gregorian Chant (Chicago Studies in Ethnomusicology)
America's
Music: Bluegrass : A History of Bluegrassmusic in the Words of
Its Pioneers
Thinking
in Jazz : The Infinite Art of Improvisation (Chicago Studies
in Ethnomusicology Series)
In
the Time of Cannibals : The Word Music of South Africa's
Basotho Migrants (Chicago Studies in Ethnomusicology)
In
the Time of Cannibals : The Word Music of South Africa's
Basotho Migrants (Chicago Studies in Ethnomusicology)
Juju
: A Social History and Ethnography of an African Popular Music
(Chicago Studies in Ethnomusicology)
Nightsong
: Performance, Power, and Practice in South Africa (Chicago
Studies in Ethnomusicology)
A
Day for the Hunter a Day for the Prey : Popular Music and
Power in Haiti (Chicago Studies in Ethnomusicology)
A
Day for the Hunter, a Day for the Prey : Popular Music and
Power in Haiti (Chicago Studies in Ethnomusicology)
May
It Fill Your Soul : Experiencing Bulgarian Music (Chicago
Studies in Ethnomusicology)
Let
Jasmine Rain Down : Song and Remembrance Among Syrian Jews
(Chicago Studies in Ethnomusicology) When Jews left
Aleppo, Syria, in the early twentieth century and established
communities abroad, they carried with them a repertory of
songs (pizmonim) with sacred Hebrew texts set to
melodies borrowed from the popular Middle Eastern Arab musical
tradition. Let Jasmine Rain Down tells the story of the
pizmonim as they have continued to be composed,
performed, and transformed through the present day; it is thus
an innovative ethnography of an important Judeo-Arabic musical
tradition and a probing contribution to studies of the link
between collective memory and popular culture.
Shelemay views the intersection of music, individual
remembrances, and collective memory through the
pizmonim. Reconstructing a century of pizmon
history in America based on research in New York, Mexico, and
Israel, she explains how verbal and musical memories are
embedded in individual songs and how these songs perform both
what has been remembered and what otherwise would have been
forgotten. In confronting issues of identity and meaning in a
postmodern world, Shelemay moves ethnomusicology into the
domain of memory studies
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Mario Testino : Party by Mario Testino
Who is Testino? - Mario Testino was born in Lima,
Peru. During the seventies he started his career as a largely
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includes Calvin Klein, Versace, Gucci, Vogue, and W, he is one of
the fashion industry's most successful and highly esteemed
photographers, travelling throughout the world on
assignment
One of fashion's most sought-after photographers, Mario Testino
has launched the careers of several of the current crop of
supermodels, including Kate Moss and Stella Tallent. This vivid
collection from the Stern archives includes Testino's portraits of
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world behind the catwalk. Eternally youthful in both outlook and his
style, Testino is a member of a new generation of fashion
photographers who are attracted to
experimentation, to provocative subject matter and eroticism. Yet
for all the vibrant coloring of his set-ups, and his tendency toward
the rough-and-tumble, his photographs possess the cool and highly
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portraiture shines through every photograph-from his subtle and
elegant black-and white images of Diana, Princess of Wales (the last
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of Madonna. An unwavering individual in a world that all too often
celebrates the tried and true, Mario Testino finds inspiration in
the new, the young, and the different. It is this sensibility that
keeps his pictures fresh, and his career going at a rapid pace.
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Any Objections? by Mario Testino(Photographer),
Patrick Kinmonth --
Fashion photographer Mario
Testino takes pictures of what he sees--and what he sees most is
models. His color-drenched fashion work is well known to readers of
magazines like Vogue. He has a particular knack for catching
famous posers off guard--Naomi Campbell looking over her shoulder as
her exceedingly low-cut dress is zipped up her back(side); Carla
Bruni, backstage at Dior, fully made-up and fully unclothed,
shielding herself from Testino's spotlight. Madonna, perhaps his
most famous celebrity muse, dancing offstage with her brother. All
of these images are vibrant and compelling. But Testino's strength
as a photographer is truly revealed when he puts his lens to less
glossy images: a man's torso, crisscrossed with sheet marks; a stark
black-and-white dual portrait of two young Muscovites; goldfish
swarming in a plant-filled tank; a crowded, bronzed South American
beach.
The hundreds of previously unpublished
photographs that make up Any Objections? are reproduced on
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photos are all easily referenced at the back of the book). If you
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copy
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Front Row Back Stage by
Mario Testino
-- THE GOLD
STANDARD - THE MUST GET BOOK
Amra Brooks writes; "In Front
Row/Backstage, Mario Testino's relaxed photos capture the
fantasy of the high-fashion world. They take readers to recent
fashion shows and are organized in an almost play-by-play manner. In
the book's introduction, Vogue editor Anna Wintour reminds
readers how Testino's signature style is clearly visible in his
portraits of the late Princess Diana: "Although we had seen a
million pictures of Diana, we had never seen her looking so relaxed,
accessible and modern as when Mario photographed her." This
accessible feeling is one that Testino projects onto all of his
subjects. Here Testino shows the backstage preparation for the top
designers' runway shows, the photographers preparing, the audience
being seated, the models dressing, and the show itself. He has
captured some of the most groundbreaking collections and innovative
presentations, such as Alexander McQueen's flooded runway and his
winter collection, during which snow poured down onto all of the
models. Other noted shows include Yohji Yamamoto, Givenchy, Chloe,
Christian Dior, and John Galliano. The moments Testino captures are
timeless: they seem to hold so much beauty and effortless style that
they feel current. Only a peek at the date of a show reveals that
some images are from many collections ago. The action and movement
of the shots give a whole new life to past and present visions of
our fashion gurus and icons."
"Fashion shows have
become a kind of performance art. It is a case of be there or be
square as models, clothes, music, and light make new ideas come to
life in front of one of the most discerning and critical audiences
for any art form. In his new book Front Row/Backstage acclaimed
Vogue photographer Mario Testino has captured the excitement and
drama of the international shows in Paris, London, and Milan.
Testino has conjured a collage of images from these intense, hectic,
beautiful events, contrasting the chaos and reality behind the
scenes with the moment on the catwalk when a woman is transformed
into an icon of chic. Testino invites you to share his coveted seat
in the front row to witness the fleeting moments of fashion as it
happens. Then he celebrates the hidden world behind the scenes as
the world's most beautiful women are unceremoniously hurled into
their next outfit from Lacroix, St. Laurent, Gucci, Chanel, Dior,
and Givenchy. Front Row/Backstage is a chance for us to witness
firsthand the most exclusive fashion moments through the eyes of the
world's hottest fashion photographer." |
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Annette
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Calvin
Klein
Celebrity
Portraits
China
Hamilton
Chloe
Christian
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Christmas
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Ellen
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Madonna
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Michel
Comte
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Nicky
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Paolo
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Princess
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Princess
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